The Book Depository
Showing posts with label Hard Cover. Show all posts
Showing posts with label Hard Cover. Show all posts

Thursday, April 22, 2010

The Boys Definitive Edition volume 1 Review


I became a fan of The Boys, while reading Preacher, Garth Ennis also, and fell in love. I have every issue from # 7 and I've read them all, but I always like to re-read the issues. Then I found this and immediately put it on my wish list for Christmas.

He arrived a little late for Christmas, but it was worth the wait.

First I just want to say that this is a beautiful collection. The art is beautiful inside, printed on nice glossy paper, and if I'm not mistaken is still a little bigger. You really get a feel for the amount of detail that Darick Robertson puts in their pencils.

The writing is spectacular, is Ennis brand you if you're not a fan of harsh language, graphic violence, sexual innuendo, graphic violence, can not allow the super heroes who made fun of, and did I mention the graphic violence that should not be reading this book. However, if you're a fan of Ennis which will be very pleased to find his unique style of sophisticated wit mixed with crude humor toilet is full of pages of this book.

The extras in the book are also quite decent, contains the introduction too the original mark by Simon Pegg, one of the characters is based on, along with Robertson's book that was included in the original brand, along with some new additions. It also includes the original script of one of the topics included in the series and a 4-page short story with the characters in the series. Overall the extras in the book are pretty decent, add a little, but not a whole lot to the book in general.

Still, this is a must for any fan of any work whether Ennis Preacher, his work on The Punisher, or any of his various works of others. This is also a great price for this set, which normally sells for $ 75 (at this time is less than $ 50).

Wednesday, April 21, 2010

Immortal Iron Fist Omnibus Review


This deluxe edition contains bus the critically acclaimed revival of the Iron Fist character run by incredibly talented writers Ed Brubaker and Matt Fraction and David Aja Spanish artist extraordinary. Collects Immortal Iron Fist # 1-16 (divided into two arcs later related: "The Last Iron Fist Story" and "The Seven Capital Cities of Heaven"), the Civil War: taking sides, Annual # 1, Orson Randall and the Green Mist of Death, and The Origin of Danny Rand.

I think there is another way of expressing what I felt when reading this book to say that I was truly amazed. Iron Fist, a relatively unknown character of the '70s, one that many see as nothing more than a trick inspired by the influence of kung-fu pop over that decade, is endowed with one of the best comic book series recent years.

First, I think, in order to enjoy this book, there is need for a deep prior knowledge of the characteristics of the Iron Fist and mythology. While the history of packs some surprises regarding the history of theIron Fist legacy, never punishes the new readers. I, for example, while always fascinated with the concept of the character, did not know much more than basic about it. In addition, the first issue shows us a vision of identity is not-so-secret (Iron Fist Danny Rand's) origin story, and for those who want to know more about this bus also conveniently contains "The Origin of Danny Rand" History , featuring the comic that gave rise to the character.

On the history, there really is not much I can say without spoiling some plot. So let's say that from the beginning of this series, Iron Fist is coming off a kind of self-imposed retirement: having abandoned his suit and battles for some time in order to fight the fight of others, Danny feels it is time to take his own load again for reembrace the legacy he has left behind. This is shown in the "Choosing sides" one-shot special, a fresh story with Daredevil and Iron Fist published during the "Civil War" mega-crossover. This story is also present on this bus is a kind of spiritual predecessor to the main series, and I highly recommend reading first. In addition, it makes sense, chronologically speaking.

Now we have the appearance of this book that really scared me: the art of David Aja. From the beginning I realized I was in a very nice visual journey. The beautiful flashback scene that fills the front pages is followed by a prodigious double-page spread showing Iron Fist fighting a horde of terrorists Hydra on a roof in the rain crashing, a scene that made me tremble in fear master Aja art. And that was just the beginning. Aja really took the time to develop innovative troubleshooting page, and is used at all times the various techniques to tell the best story possible from a visual standpoint. The fight scenes (along with everyone else, by the way) are intense and fluid, the characters seem to pop from the pages. Moreover, the overall representation of Iron Fist Aja and his new costume design Danny Rand are simply superb, and the same pattern of cover design came up with is surprisingly elegant.

Which brings me to the only fault I found with the series (other than the fact that came to an end - I really wanted to make it last forever): the inconsistency of art in recent issues. Probably because of the attention to detail and drawings made Aja, he simply could not keep up with the deadlines for some of the ultimate questions. That led to Marvel bring other artists to help the artist complete regular time. This situation reached its pinnacle in the 15 edition, the last of the second story arc, where Aja's art anywhere. Do not misunderstand me: the filling of the artists are great and deliver an explosive and satisfying conclusion. But there is no denying that the series has benefited greatly from having Aja draw to an end. Luckily, he returned to pen and ink wonderful item 16, the latter bringing to life of this collective creative genius of Brubaker-fraction-Aja. But these are all minor repairs, nothing that detract from the overall experience.

Finally, a couple of words about the extras: This book is packed with detailed free-entry as the Iron Fist, which covers its entire history until the end of the stories contained in the bus, covered with alternate, fragments original screenplay for the first question, sketch artists, some comments from David Aja in the character designs he created or updated and cooling exchange e-mail between the creators. Very nice, but given the deluxe treatment of this issue, I could not help feeling that the editors could have added some extras like an interview with the creators (something they did, for example, the Bus Captain America # 1 Ed Brubaker and Steve Epting). But again, these are minor quibbles: there are some extra things fresh packaged here.

To sum it all up, I can not recommend this book enough. The combination of good writing and great art resulted in an artistic work that is right off the bat that exerts some sort of fascination for me. Maybe it's because because of my fascination with real life through kung fu, but I think that would be enough to grab my attention (and this book clearly has a kind of brazen, [crazy, but humor ] ultimately respectful of the martial arts underlying issues - do not expect to see anyone burning the delivery of the Dove chops in real life in the short term). What we really believe is that this book has something to please everyone, either the dynamic and intelligent script, character development, action, kung-fu, humor, mysticism, martial arts-related mythology, pitch black, the wonderful designs etc, nightmares, psychotic spider AT-AT ... In short, this is one of my favorite series of comic time, which was greeted with suspicion at first, but eventually became something like greatness.

Absolute V for Vendetta (Hardback)

I would say, as an assumption that people who buy expensive DC Absolute Editions because they want to do a definitive edition, printed on good quality paper in an enlarged hard cover and slide case, and extras such as introductions, no unused seen art etc, their favorite comics. I know I can do and see from where I sit writing, complete editions of "Crisis on Infinite Earths ',' The New Frontier", Dark Knight, Batman: Hush, the four volumes of Sandman, Ronin, and now V for Vendetta . I shall return to this in the second half of the review.


V for Vendetta is, along with Marvelman / Miracleman, the first of the great works of Alan Moore in the field of comics. Its construction began at the time of Moore's initial feelings of discomfort in the decision of the United Kingdom Conservative Party, and ended when the feelings were merged into outright disgust. Like the best science fiction, the best comics reflect the concerns of the time they were written-and, yes, I am aware that I am gathering a genre and medium and V for Vendetta is political science fiction . In his introduction, written in 1988, Moore is concerned about the immediate future to become a Conservative-led right-wing intolerance as Margaret Thatcher envisaged a British Conservative in the next millennium, and mentions that she is considering leaving the country. In the event, the Conservatives only lasted until the mid-90s and Britain is in the pride, with all its flaws, as one of the most liberal and open. and tolerant of Western societies. If you just limit this to England, I would say, evidence that this is the most liberal, open and tolerant of Western societies. And Alan Moore is still happily installed in Northampton, which he said is located in central England.


However, perhaps surprisingly, V has not really dated at all, and his fear of fascism remains eternally valid. If you doubt that, then I refer you to the effusions racist British National Party. V remains one of the true masterpieces of Moore, erudite, compassionate, deep, obsessive, all enhanced by sympathetic distinctive "realistic David Lloyd's work of art (with its echoes of British black and white comics weekly adventure for children), which is endowed with great clarity and a more subdued color palette. Perhaps even more surprising is that in the era of Ronald Regan, DC published a comic book hero is a psychotic anarchist whose intention is to destroy the existing social order.


Now, as to this issue, inevitably, given the widely publicized dispute between Moore and DC, there is no further contribution of Alan Moore. A pity, since it would be fascinating to read, but, as I said, inevitable. In comparison with other editions Absolute Sandman volumes four are full of them, Crisis on Infinite Earths requires additional books is relatively small, some sketches, a couple of pieces reprinted from Moore, including material and minor printed magazine only Warrior, full-page panels blown pieces, all very nice, but doing little to improve the original material. Not that it matters since this is a beautiful edition of the Alan Moore masterpiece of the greatest comic writer ever. How could resist?

The Darkness: Compendium Vol 1 REVIEW


This book contains 40 issues of the darkness series, and a series of mini series, one-shots and the first issue, if the second series. The story is excellent. One of the more adult oriented titles that do not "kiddify" story lines or underestimate the intelligence of the audience. It is, however, more suited to adult readers, as it is a bit of violence and a lot of sexual innuendo in the book. The book is one of the worst paperbacks around, weighing a total of three pounds, so it's not a book to read in bed before going to sleep unless a weight lifter. It contains the original illustrations in full color on all sides, but without the ads or columns. It is best if you buy this along with the Witchblade compendium, as the two often intersect series so you get a fuller story. The only compendium more reading these compendiums compendiums Marvel images are 40 years on the computer and these compendiums of the image are the most complete compendiums of paper I've seen. (If it comes to printing disc compilations Marvel "books" would be about 15,000 pages each).

Amazing Spider-Man Omnibus Review


First, I previously purchased the Captain America Omnibus, vol. 1 HC so I finally can read the great principles of Ed Brubaker stories. While I still have not removed the jacket of this book, this book Spider-Man opened immediately. They have not said shrink-wrap, probably because there was not enough to put around him. This is the largest bound book I've seen in my life!

The union is strong and the colors on the pages come to mind. There's a good table of contents that lists all the topics in this book. This is followed by a great introduction by Stan Lee himself, who gives you some background on how the series of Spider-Man was perfect for that lead to the stories themselves. As you probably know, was started in Amazing Fantasy # 15, which is the first issue of this collection. I have never read so it was a pleasure to finally get the chance. That alone is almost worth the purchase price.

One thing about having a book so great is that you do not have to look elsewhere for the first Spider-Man stories, all are here. I can not wait to continue reading the rest and as you will notice from the beginning, Spider-Man is very neat, there are many boxes on each page title. The work is superb as Spider-Man is an amazing character and really stands out in every scene he is in.

Even if you're not a fan of Marvel, will find all these stories of Spider-Man invaluable for what I do. This is a collection that is unrivaled. All the early stories of Spider-Man is here. Recommended for all fans of comics and for fans of Marvel and Spider-Man is a MUST OWN!

One more thing: If the jaw does not drop when you see the size of this book will be surprised, it's awesome!

The Incredible Hulk Omnibus vol 1 Review


Due to wear and tear of rereading old comics, I've always been a fan of collections, especially those that include additional art or interviews with the creators to think about works considered classics over the years. the complete works have even greater weight when the volumes refer to hard to find comics very expensive. Marvel Masterworks He seemed to be the best they had, even when compared with the graphic novels and paperbacks, because you might receive 10 copies of each volume that includes annuals. Sure, they were more expensive but considering how much trouble you could get for about $ 55, which was certainly much better than buy their own comics if I wanted less degeneration of these precious items. At least you have the opportunity to read stories of years without wearing gloves or the payment of a mint, if you had found all.It seemed the best value and quality for all the collected works.

All this changed when he raised the stakes Marvel with its collections of Omnibus. Marvel Omnibus collections is no bar of the highest quality and value to date. The characters are given a greater sense of their contribution to the comic book industry who care more about the issues we are getting, because Marvel has shown that care about the character too.

Omnibus collections are literally the "red carpet" for their volume, not least for the HULK OMNIBUS. The enormous size of its pages showing Marvel's dedication to underline and bold-faced capitalized importance that the issues discussed here and their place in comics history iconic: much larger than their original comics, strong binding sites, brilliant Each page of each original comic, and unpublished art, current and past interviews (including everything that was in the counterpart teachers), alternate and variant covers - even better - up to 30 numbers per volume, whether annual or special appearances (ie "What if?", etc. ..). All this for less than the cost of two volumes of the masterpieces of Marvel would give only comic reader 20.

I am not attacking the masterpieces because they still feel they have tremendous value, especially when you consider what you can get from those who have not been released from the bus. In addition, many masterpieces have become less expensive in the resale market due to the popularity of the buses. Some can not see the difference bewteen the Omnibus vs masterpieces and just want the issues of great volume.

The buses are becoming as good as Marvel DC series absolute and sometimes much better, because not all the DC Absolute series has beautiful glossy pages. Here, each volume of Marvel's as good as the last and the next.

The thin line is that the Omnibus collections are best there is that Marvel has to release. As a fan of Marvel, I'm more than likely collect all the volumes I can for my favorite superhero, perhaps even those who never have considered before. The bus remind us why they are the icons. X-Men, Spider-Man, Daredevil, Iron Man and Hulk now, comic stars get star treatment, a Director's Cut for their comics. I can not see it get any better than this.

Scud the Disposable Assassin: The Whole Shebang


What can one say about Scud? Scud is one of the more eclectic, bizarre comics Out There. Oddball pop-culture references wrapped in a macabre, twisted sense of humor abound. For Those of you unfamiliar with the series, think of it as a mix of The Tick (Edlund's version), and Lobo.

The story Itself FOLLOWS the adventures of a disposable robot Whose duty it is to dispose of a target and Then self-destruct. Through an accident of fate, Scud make The Catch-22 of historical charge, and commitments were by Permanently (Thinks I) bis incapacitating target, Assassination doing side-work to cover the life-support bills.

As the storyline progress, the reader Becomes aware That "Jeff" His initial target, is in fact-an instrument of Biblical prophesy, and His actions result in historical Have Being now firmly enmeshed in a titanic Struggle Between Heaven, Hell, psychotic robots, and the lunatic fringe of Civilian Society.

ABOUT THIS BOOK (EDITION)
This is a Truly strange, yet uncannily satisfying series, But, like the Tick original comics, are Almost Entirely out of print. Thus, this edition, the Whole Shebang, a graphic novel encompassing ALL of the issues released (A Few bonuses plus more) is Fully worth it. There will not be any more, and, with as peculiar of a Demographic targets as this book, Even it will not be around long, most likely.

This book contains the whole run of the series, Including the four-part resolution, published after-Scud's ten-year hiatus (the author, Rob Schrab, HAD Decided I wisher to focus on Other Projects, Leaving His readership hanging with a decade-long cliffhanger). It contains weitere Drywall: Unzipped (the tale of Scud's Unlikely sidekick and pretty much a Necessity to Understanding the oddball plot) and Black Octopus: Sexy Genius (a functionally unrelated But Still Amusing mini-book).

The book Itself is HUGE (almost 800 pages), and mostly black-and-white. It makes for a great coffee table book As Long as You Do not Have kids, or gift to a comic lover. At 20 bucks, it's worth it (I read ridiculously fast. Comics Are not worth it to me in most cases, as I can burn-through to book in minutes. This one's mammoth enough to Actually be Able to site down and READ).

All in all, buy this book. If you've Never Heard Of Scud, it's Amusing, and a great deal for the price. Give it a shot. If You're Already a fan, definitely get it, it's everything in one place, and for a lot less Than You Paid for the individual books, Even at Newsstand Price.

The Complete Invincible Library: v. 1 (Hardback) Review


This is a must for any fan of the series Invincible, if having a couple of bucks to spare. This vast collection includes all the comic Invincible to number 24. It is also highly recommended for any new reader who wants to save a few dollars buying everything together instead of separate volumes. In addition, you also get all the original comics, which are always interesting. So if you have some money for entry, you may want to seriously consider this volume.

Enough has been said about this series, so I'm sure you know is the best superhero book on the market today. Nothing else comes close. Nothing.

Much has been said about the high retail price of this package and yes, it is too expensive, but Marvel and DC have a lot more readers and customers for their joint special hardcover. Therefore Image needs the price high for the return. It is what it is, so with 30 to 40% off Amazon, the price is perfectly acceptable.

The set is sewn and glued, not by what can be read over and over without fear of falling apart pages or division release binding. My team has been read at least three times, not to mention all the foam I've made through it in recent years.

Also of note is that this set is actually giant larger than 12 edition hardcovers. It is colossal. My only problem is the agonizing wait for volume 2, aws read this series in HC. Thank God the wait of almost two years finally going to end. As I write this review, volume 2 is weeks away from being released. Thank God!

Tuesday, April 20, 2010

The League of Extraordinary Gentlemen, Vol. 1: The Absolute Edition


I knew it would never be a sequel to the classic comic series by Alan Moore "The Watchmen" (and wish Frank Miller had let well enough alone with "The Dark Knight Returns"), but certainly "The League of Men Extraordinary "is a kindred spirit in all major aspects. If the guards were supposed to be superheroes that we recognized, even though he had never seen before, then the League offers up recognizable fictional characters we have ever seen together before. Going back a century for inspiration, Moore creates a Pax Britannia around 1898 where superheroes "are fictional characters that had been created by this particular point in time, namely: Mina Murray (Harker) of" Dracula Bram Stoker, "Captain Nemo Jules Verne's 20,000" Leagues Under the Sea, "Alan Quatermain from" H. Rider Haggard King Solomon's Mines "and the title character of" Robert Louis Stevenson Jekyll and Mr. Hyde Dr. "and" HG Wells The Invisible Man. "There is also reason to believe that the" M ", the dark figure on ordering the League could in fact be Mycroft Holmes (and if you do not know what is the literary series from then just totally forget to enjoy this series).

If this, in itself, is not enough of a hook to get your interest in testing this collection first comic adventure of the
League of Extraordinary Gentlemen let me remind you that Alan Moore is doing the writing. The work of art by Kevin O'Neill is certainly evocative of the turn of last century, or rather, not seen as a modern superhero comics. Moore and O'Neill also maintain a wonderful concept in the whole series of presentation of the comics as published at the time of history, full of wonderful "ads" that are often as interesting as the story (one of which actually require the implementation of an initial impression of the topics to be destroyed, a story you will have to find other sites related, patient reader.)

Moore's intention was to address a group of superheroes before all the clichés were established (again, similar to how "The Watchmen" was in a different reality unencumbered by the DC and Marvel universes). Seeing an obvious parallel between the Hulk and Jekyll / Hyde,
Moore let his imagination roam in his alternate version, most technically advanced of Victorian London. The more you know about the literary history of this period (for example, Emile Zola's Nana is killed in the Rue Morgue "by Hyde), the more you enjoy this work. But this first adventure of the League still works if the fiction in the late 19th century is not his forte. British intelligence has discovered that cavorite, a material that allows flying machines, has been stolen by a mysterious Chinese figure (Oh, come on, take a wild guess that has to be). Campion Bond of MI5 has been ordered to assemble a team of adventurers to retrieve the cavorite, which is crucial for the race to the moon.

"The
League of Extraordinary Gentlemen" is much more fun than we usually associate with Moore's work. Indeed, the language has never been greater in the cheeks with this series. The first three issues of Volume 2 have seen the light of day so far this year and if you read through this original effort can quickly get up to date with the current adventure. You just have to remember is 1898 and Britannia waives the rules ...